"a rebellious boy in patched pants sitting in the apricot tree staring
out at a world I could never enter in any other way than by scribbling
poems and stories in my exercise book".
Malouf, an old friend of Rowbotham, on reading two small volumes
published in 2005 (The Brown Island and The Cave in the Sky) wrote to
Rowbotham praising the work. "These poems seem to me to have a new
transparency and ease, and nobility and quality of immediate
memorability that really is the sort of achievement that only comes to a
poet, if it comes at all, when he has freed himself of everything
except what needs now to be said."
His daughter Jill, a journalist with The Australian, recalls that in has
last years he was "virtually blind but wrote daily using giant print on
an enormous computer screen". At 86, inside the frail frame, there was
still that young boy trying to give utterance to a rich internal life
that expressed itself in some of the finest Australian poems written. In
the poem The Cave in the Sky Rowbotham wrote in a richly metaphoric way
about dying: "If memory lives, then memory cares." And so he will be
remembered.
Poet David Rowbotham's late flowering crowned a life's work
- From: The Australian
- October 08, 2010
The Gardener
I watched my father digging in his garden.
His spade, with a sound like the palm of a huge hand
Against a huger tree, struck through the soil,
Lifted, turned, let fall. He pounded with care
Each stubborn clod and broke it into earth
That flowed between his fingers;
And the peewit came from the nest in the camphor-laurel
And, with a bird's simplicity, like a child's trust,
Stabbed for worms in the shadow of his knees.
You can not know the kindness of a man
Till you see him in a garden with a spade
And birds about his feet.
from Bungalow and Hurricane
published 1967 by Angus & Robertson, Sydney.
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