"The point is, art is something subversive. It's something that should not be free. Art and liberty, like the fire of Prometheus, are things one must steal, to be used against the established order. Once art becomes official and open to everyone, then it becomes the new academicism."
"If art is ever given the keys to the city, it will be because it's been so watered down, rendered so impotent, that it's not worth fighting for."
"And why did Plato say poets should be chased out of the republic? Precisely because every poet and every artist is an anti-social being. He's not that way because he wants to be ...
the right to free expression is something one seizes, not something one is given. It isn't a principle one can lay down as something that should exist ...
If the idea of society is to dominate the idea of the individual, the individual must perish. Furthermore, there wouldn't be such a thing as a seer if there weren't a state trying to suppress him. It's only at that moment, under that pressure, that he becomes one. People reach the status of artist only after crossing the maximum number of barriers. So the arts should be discouraged, not encouraged."
p. 189
'Life with Picasso'
Francoise Gilot & Carlton Lake, 1964, Thomas Nelson
About Poety Matters
Censorship can take many forms. The inability to find a place of publication can be social censorship.
Poetry is freedom. Anyone can write poetry.
Nevertheless, it takes a lot of work to create the poetry that reaches the places only poetry knows.
03 April 2013
02 April 2013
'The Angry Genius of Les Murray'
"Though he has at various times held university fellowships, Murray has little good to say about what goes on in the literature classroom. Academic literary critics are, to him, heirs of an Enlightenment hostile to the creative spirit. Behind its mask of the disinterested pursuit of knowledge, he sees the Enlightenment itself as a cabal of rootless, disaffected clercs scheming to grasp power, usually by controlling the fashion for what may or may not be said in public ('political correctness'). Universities have been turned by the Enlightenment into 'humiliation mills' that grind out generations of students ashamed of their social origins, alienated from their native culture, recruits to a new metropolitan class whose Australian manifestation Murray dubs 'the Ascendancy.' The term is meant to capture both the 'foreign-derived oppressiveness' of the new class and its 'arriviste, first-generation flavour.' The Ascendancy is 'the natural upper class of a socialist world order'; holding a university degree is the modern equivalent of being a landowner."
p. 139
The Best Australian Essays 2012, Black Inc.
J. M. Coetzee, 'Les Murray and the Black Dog'
first appeared as 'The Angry Genius of Les Murray' in New York Review of Books, 29 September 2011
p. 139
The Best Australian Essays 2012, Black Inc.
J. M. Coetzee, 'Les Murray and the Black Dog'
first appeared as 'The Angry Genius of Les Murray' in New York Review of Books, 29 September 2011
26 March 2013
Lines of Life: 101 Poems by 101 Women
"Within the covers of this small book every reader will find something to deplore ...
Poetry is strange stuff and over the centuries it has got stranger. Five hundred or so years ago any gentleman was expected to be able to pen on demand a respectable sonnet to his mistress' eyebrow, but by the beginning of the nineteenth century poetry had been transformed from an elegant accomplishment to a savage destiny, a sacred and sublime vocation, not to be attempted by anyone who shrank at the prospect of madness, destitution and death. Women had struggled to be poets when what was needed was the education that they had not got, and they continued to struggle to be poets when what was demanded was egomania of delusional proportions. Post-modernism has taken some of the pressure off; irony is a medium that women have always understood."
from Germaine Greer's introduction to Lines of Life: 101 Poems by 101 Women, edited by Germain Greer, published by Faber and Faber, 2001
https://www.waterstones.com/waterstonesweb/products/germaine+greer/lines+of+life/5302359/
25 February 2013
Finding the rhythm.
from A Regular Maverick by Sean O'Hagan, 23 February 2013, The Saturday Age, Life & Style, p. 12
"How, then, does he actually prepare for a role? 'Well, it's not something I could fully articulate,' he says, 'but basically I prepare in the same way every time. I take the script, I stand in my kitchen and I quietly mumble it to myself. Over and over.' Is he being serious? 'Oh yes. See, I keep doing that until I hear something in there. I was trained as a dancer and that stuck with me, so I'm essentially looking for a rhythm. When I figure stuff out, it has to do with finding the rhythm. Always.'"
http://www.rollingstone.com/movies/videos/off-the-cuff-an-extended-interview-with-christopher-walken-20130204
"How, then, does he actually prepare for a role? 'Well, it's not something I could fully articulate,' he says, 'but basically I prepare in the same way every time. I take the script, I stand in my kitchen and I quietly mumble it to myself. Over and over.' Is he being serious? 'Oh yes. See, I keep doing that until I hear something in there. I was trained as a dancer and that stuck with me, so I'm essentially looking for a rhythm. When I figure stuff out, it has to do with finding the rhythm. Always.'"
http://www.rollingstone.com/movies/videos/off-the-cuff-an-extended-interview-with-christopher-walken-20130204
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