"For Prynne, the production of a poem, the production of a book, are as
much part of the cycles of commercial fetishisation as the creation of
the poem itself. So, it is the responsibility of the poet (and reader)
to work at diminishing a degree of moral irresponsibility that
overshadows the creation and production of art. Which explains why most
Prynne works have been available in small print-run pamphlet forms
published by presses for whom profit is not a motive."
John Kinsella: on the poem Rich in Vitamin C by J.H. Prynne
http://jacketmagazine.com/06/pryn-kins.html
About Poety Matters
Poetry Matters is a home-grown print poetry journal that began in Spring 2006.
Censorship can take many forms. The inability to find a place of publication can be social censorship.
Poetry is freedom. Anyone can write poetry.
Nevertheless, it takes a lot of work to create the poetry that reaches the places only poetry knows.
Whoever you are, wherever you are, Poetry Matters welcomes you as readers and writers.
Contact me about submissions and subscriptions: poetry.clh@gmail.com
Censorship can take many forms. The inability to find a place of publication can be social censorship.
Poetry is freedom. Anyone can write poetry.
Nevertheless, it takes a lot of work to create the poetry that reaches the places only poetry knows.
Whoever you are, wherever you are, Poetry Matters welcomes you as readers and writers.
Contact me about submissions and subscriptions: poetry.clh@gmail.com
28 May 2014
15 May 2014
Sigmund Freud
12 May 2014
wounded storyteller
"Through storytelling the wounded are transformed from those who are cared for into those who care for others. They become potent healers. The wounded recover their voice through the difficult act of storytelling. The whole body speaks. Eventually everyone becomes a wounded storyteller. 'It is our promise and responsibility, our calamity and dignity.'
To tell a good enough story, we must go deep enough: this is storytelling as archaeology. We should experience the pull of the future: this is storytelling as eschatology. We should seek a story aesthetically ripe and set in the midst of stories larger than our own: this is storytelling as poetry and myth-making."
Donald Heinz, 1998, The last passage: Recovering a death of our own, Oxford University Press.
To tell a good enough story, we must go deep enough: this is storytelling as archaeology. We should experience the pull of the future: this is storytelling as eschatology. We should seek a story aesthetically ripe and set in the midst of stories larger than our own: this is storytelling as poetry and myth-making."
Donald Heinz, 1998, The last passage: Recovering a death of our own, Oxford University Press.
Subscribe to:
Posts (Atom)