"In drawing thought unfolds, whereas in painting you speak of an image: they are two entirely different things."
"Rainforest and Cathedral" Charles Blackman
from Rainforest, Charles Blackman, 1988
Text by Al Alvarez, Macmillan, Australia.
About Poety Matters
Poetry Matters is a home-grown print poetry journal that began in Spring 2006.
Censorship can take many forms. The inability to find a place of publication can be social censorship.
Poetry is freedom. Anyone can write poetry.
Nevertheless, it takes a lot of work to create the poetry that reaches the places only poetry knows.
Whoever you are, wherever you are, Poetry Matters welcomes you as readers and writers.
Contact me about submissions and subscriptions: poetry.clh@gmail.com
Censorship can take many forms. The inability to find a place of publication can be social censorship.
Poetry is freedom. Anyone can write poetry.
Nevertheless, it takes a lot of work to create the poetry that reaches the places only poetry knows.
Whoever you are, wherever you are, Poetry Matters welcomes you as readers and writers.
Contact me about submissions and subscriptions: poetry.clh@gmail.com
25 April 2014
18 April 2014
Plagiarism
"Yet isn’t it the case that all this says something that nobody wants
to admit? These current scandals in poetry confirm that people worldwide
still desperately care about poetry despite its absolutely essential
irrelevance to any economic indicator you might mention, and that –
despite the crazy uproar surrounding the instances of plagiarism – this
shows that poetry will continue to enjoy a glorious future yet."
by Justin Clemens,
‘“Of borrow’d plumes I take the sin”’: plagiarism and poetry
Overland
https://overland.org.au/2013/09/of-borrowd-plumes-i-take-the-sin/
by Justin Clemens,
‘“Of borrow’d plumes I take the sin”’: plagiarism and poetry
Overland
https://overland.org.au/2013/09/of-borrowd-plumes-i-take-the-sin/
16 April 2014
Jeff Sparrow, editor, 'Overland'
"We need, instead, to create new audiences, to build communities for whom information matters. In a previous Overland Rjurik Davidson described this in terms of creating a counter hegemonic public sphere, a counterculture of writers and readers, thinkers and activists, publications and campaigns, and an infrastructure that allows people to make news rather than merely consume it.
To put the matter another way, it's not enough for nonfiction writers to simply describe the world. The point, as always, is to change it."
Jeff Sparrow on Truth, Politics and Nonfiction
"Cats are out, sloths are in"
Overland, Issue 214, Autumn 2014
http://overland.org.au/
To put the matter another way, it's not enough for nonfiction writers to simply describe the world. The point, as always, is to change it."
Jeff Sparrow on Truth, Politics and Nonfiction
"Cats are out, sloths are in"
Overland, Issue 214, Autumn 2014
http://overland.org.au/
14 April 2014
Schopenhauer as Educator
"People are more slothful than timid. Their greatest fear is the heavy burden that uncompromising honesty and nakedness of speech and action would lay on them.
It is only artists who hate this lazy wandering in borrowed manner and ill-fitting opinions. They discover the guilty secret of the bad conscience: the disowned truth that each human being is a unique marvel."
Nietzsche, "Schopenhauer as Educator"
John Armstrong, 2013, Life lessons from Nietzsche, Macmillan, London.
http://www.johnarmstrong.com.au/
It is only artists who hate this lazy wandering in borrowed manner and ill-fitting opinions. They discover the guilty secret of the bad conscience: the disowned truth that each human being is a unique marvel."
Nietzsche, "Schopenhauer as Educator"
John Armstrong, 2013, Life lessons from Nietzsche, Macmillan, London.
http://www.johnarmstrong.com.au/
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